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攝影版有投資版的知識,獲益良多。
elan7e 發表於 2012-1-24 00:20



    只是吹水沒抹咀,多多包涵~!

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Good info.  I will need to talk to you more before I go back to HK later this year.
快樂牛郎 發表於 2012-1-24 09:13



    希望你回去的時候,水位重上高峰。 When will you be going ?

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本帖最後由 imvitasoy 於 2012-1-24 21:08 編輯

貼張leica 相玩下,技術麻麻,而且壓縮很厲害,Leica saint glow 唔知出唔出到 ...
注 :圖中靚仔並不是在下....
5D,  R35/2
附件: 您需要登錄才可以下載或查看附件。沒有帳號?註冊

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希望你回去的時候,水位重上高峰。 When will you be going ?
imvitasoy 發表於 2012/1/24 20:59


August/September

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貼張leica 相玩下,技術麻麻,而且壓縮很厲害,Leica saint glow 唔知出唔出到 ...
注 :圖中靚仔並不是在 ...
imvitasoy 發表於 2012/1/24 21:05


The Leica glow thing is a myth.  You can achieve that "glow" with other lenses or lighting.

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本帖最後由 imvitasoy 於 2012-1-25 12:32 編輯
The Leica glow thing is a myth.  You can achieve that "glow" with other lenses or lighting.
快樂牛郎 發表於 2012-1-25 09:43



   I won't say Leica glow is a myth,  it does exist due to some optical (mis)behaviors that's unique in Leica lens design philosophy.  Under ambient light,  try any average Japanese glass,  包你影唔出. Even if you intentionally try to "create" it with artificial light the effect you get will not be quite like the Leica style.  It is because japanese lens makers tend to "flat out" the dark/bright transition.  With one exception : the discontinued Japanese Zunow,  which has become a collector's name with its 50mm standard lens now costs close to, if not more than,  a brand new Honda Civic.

With Ziess,  the Sonnar 50 f/1.5 is probably the only Zeiss that I have seen can produce comparable intensity of glow under ambient light.   However,  the sonnar also inherits some typical Zeiss characters that make its images very different from that of a Leica.

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I won't say Leica glow is a myth,  it does exist due to some optical (mis)behaviors that's uni ...
imvitasoy 發表於 2012/1/25 12:17


Right, I don't mean an average Japanese glass. What I wanted to say is that the Leica glow is not something that's very specific to the Leica brand.  It's just an artifact that's based on the lens design and production and any other brand can make the same lenses with the same specifications.  As for character, each lens is slightly different and I personally wouldn't own any of the Leica glass except the Noctilux f1 and Summilux 75mm. But since it's such a good investment, now I just keep buying and putting them in my drawers.

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I won't say Leica glow is a myth,  it does exist due to some optical (mis)behaviors that's uni ...
imvitasoy 發表於 2012/1/25 12:17


50mm sonnar is my favorite



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I like sonnar too.   I already have a 40 sonnar otherwise would have considered a ZM sonnar 50/1.5

Great Zeiss shots of yours :   tack-sharp and high contrast.  See if I can find some pix of 50 lux later,  will post some here.

I personally do not prefer 75 lux because it is midway between the amazing 50 lux and outstanding 90 cron,  有的兩頭唔到岸感覺。 However I agree it's one of Leica's best worth lenses.

Noct is good idea.  But at its price I would desperately want a K 仔 instead.
Oh,  did you hear that there's a HK-designed 50 f/0.95 M-mount lens upcoming ?   Steve Huff has a first look at it.

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did you hear that there's a HK-designed 50 f/0.95 M-mount lens upcoming ?   Steve Huff has a first look at it.imvitasoy 發表於 2012/1/25 19:17


You got the Rollei 40mm sonnar? It's my favorite lens for street.

I like the Noct f1 not because of speed, so I don't really care about the HK f0.95 lens.

When I borrowed the 75mm lux from my friend, I shot at f2.4 - f2.8 most of the time.

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